Categories: Property

Using acoustic planning to reduce background noise

<h4 style&equals;"text-align&colon; justify&semi;">Background noise&comma; also known as ambient or residual noise&comma; comes from a range of internal and external sources such as chatter&comma; noise in adjacent rooms&comma; and nearby traffic&period;<&sol;h4>&NewLine;<p style&equals;"text-align&colon; justify&semi;">While low levels of background noise are tolerable&comma; high levels can be significantly disruptive to audience concentration&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Research indicates that background noise levels in unoccupied New Zealand classrooms range from 28 &&num;8211&semi; 60 dB &lpar;The Oticon Foundation in New Zealand&rpar;&period; This exceeds the Ministry of Education’s &lpar;MoE&rpar; current requirement that ambient noise levels in a flexible learning space or cellular classroom should not exceed 35 – 45 dB&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">The combination of excessive background noise and high reverberation levels impact audience attention&comma; particularly younger students who are not yet able to differentiate between speaker and background noise&period; Distribution and amplification of desired sound is greatly impacted by the architectural design of the auditorium&period; As previously discussed&comma; a room’s dimensions and finish materials have a big influence on acoustic quality&period;  <&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;5620" aria-describedby&equals;"caption-attachment-5620" style&equals;"width&colon; 600px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-5620 size-full" src&equals;"https&colon;&sol;&sol;www&period;schoolnews&period;co&period;nz&sol;wp-content&sol;uploads&sol;2017&sol;04&sol;SN36-PROPERTY-Acoustics-2&period;jpg" alt&equals;"" width&equals;"600" height&equals;"295" &sol;><figcaption id&equals;"caption-attachment-5620" class&equals;"wp-caption-text">Image credit&colon; Gavin Stewart Photography<&sol;figcaption><&sol;figure>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Now that we have a basic understanding of how acoustics in an auditorium work&comma; what can we do to resolve the acoustic battle&quest; A combination of acoustic absorbers and reflectors are ideal to help achieve acoustic balance&period; Absorptive acoustic treatment such as direct-fixed or suspended panels&comma; tiles or baffles should be applied to the ceiling space&period; These are beneficial to absorb sound waves as they are produced and reduce acoustic reflection to an acceptable standard&period; Walls facing the speaker should be lined with acoustic material&comma; panel or tile&comma; while the wall behind the speaker should be left as a hard surface to help reflect sound towards to audience&period; Like the advised ceiling treatment&comma; applying a sound absorbing lining to the facing walls is beneficial to reduce excessive sound reflection&period;  <&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;5626" aria-describedby&equals;"caption-attachment-5626" style&equals;"width&colon; 596px" class&equals;"wp-caption aligncenter"><img class&equals;"wp-image-5626" src&equals;"https&colon;&sol;&sol;www&period;schoolnews&period;co&period;nz&sol;wp-content&sol;uploads&sol;2017&sol;04&sol;SN36-PROPERTY-Acoustics-3&period;jpg" alt&equals;"" width&equals;"596" height&equals;"430" &sol;><figcaption id&equals;"caption-attachment-5626" class&equals;"wp-caption-text">Image credit&colon; Gavin Stewart Photography<&sol;figcaption><&sol;figure>&NewLine;<p style&equals;"text-align&colon; justify&semi;">There are many acoustic assessors and products for acoustic treatment available&period; If you believe your auditorium suffers from acoustic chaos&comma; seek assistance from an acoustic specialist who can provide an in-depth analysis using acoustic testing equipment&period; Seek out advice from a consultant who has experience and knowledge in treating acoustics in an educational environment&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">For more information about acoustics in education&comma; refer to the MoE guide&comma; Designing Quality Learning Spaces&colon; Acoustics&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;"><em><i>Reference&colon; <&sol;i><&sol;em><a href&equals;"http&colon;&sol;&sol;www&period;oticon&period;org&period;nz&sol;pdf&sol;classroomacousticsreportprintedversion&period;pdf" target&equals;"&lowbar;blank"><em><i>http&colon;&sol;&sol;www&period;oticon&period;org&period;nz&sol;pdf&sol;classroomacousticsreportprintedversion&period;pdf  <&sol;i><&sol;em><&sol;a><&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;"><a href&equals;"http&colon;&sol;&sol;www&period;education&period;govt&period;nz&sol;assets&sol;Documents&sol;Primary-Secondary&sol;Property&sol;School-propertydesign&sol;Flexible-learning-spaces&sol;DQLS-AcousticsV2&period;0&period;pdf" target&equals;"&lowbar;blank"><em><i>http&colon;&sol;&sol;www&period;education&period;govt&period;nz&sol;assets&sol;Documents&sol;Primary-Secondary&sol;Property&sol;School-propertydesign&sol;Flexible-learning-spaces&sol;DQLS-AcousticsV2&period;0&period;pdf<&sol;i><&sol;em><&sol;a><&sol;p>&NewLine;

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Caroline Page, Autex

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